If you’re looking for a raw, sugary blast of distorted pop, look no further than Weird Nightmare. The debut album from METZ guitarist and vocalist Alex Edkins contains all of his main band’s bite with an unexpected, yet totally satisfying, sweetness. Imagine The Amps covering Big Star, or the gloriously hissy miniature epics of classic-era Guided by Voices combined with the bombast of Copper Blue- era Sugar—just tons of red-line distortion cut with the type of tunecraft that thrills the moment it hits your ears.
These ten songs showcase a new side of Edkins’ already-established songwriting, but even though the bulk of Weird Nightmare was recorded during the COVID-19 pandemic some of its tunes date back to 2013 in demo form. “Hooks and melody have always been a big part of my writing, but they really became the main focus this time” he explains. “It was about doing what felt natural.”
To be clear: Weird Nightmare is not a “pandemic album,” but an album—some of which had been gestating for quite a while—that just so happened to be recorded during the pandemic. “I had always planned on finishing these songs, but being unable to tour with METZ, and forced to lock down, really gave me a push.” After days spent homeschooling his son, Edkins would drive to the METZ rehearsal room and tinker deep into the night on these songs’ deceptively simple structures and rich, static-laden textures. “It was a godsend for me,” he states about the creative process. “The hours would disappear and I would get lost in the music and record. It was a beautiful escape.”
Weird Nightmare is, in its own way, a study in extremes: Edkins’ melodic instincts and penchant for dissonance are both turned up to the max throughout, the latter reflecting not only the barn-burning tendencies of METZ, but Alex’s own sonic predilections. “It doesn’t sound right to my ears until it’s pushed over the edge.” He also cites other artists who are masterful at mixing the sublime and the punishing—Kim Deal and Scout Niblett among them—as influences on his own songwriting. “My favorite songs are the simple ones,” he explains. “I’ve never been attracted to virtuosity or technicality. Certain songs have the power to lift your spirits like nothing else can. I wanted to create that type of song.”
“I’ve found a new confidence in my writing and producing,” Edkins continues while discussing his songwriting approach on Weird Nightmare. “I really enjoy creating and recording, and I wanted this record to reflect how much fun I was having.” And even though its songs occasionally dip into weighty themes—underneath the driving riffs of “Darkroom” are ruminations on trying to fight off bad habits amidst personal malaise, while the anthemic “Lusitania” is, in his words, “a fictional love song”—this album is indeed an absolute blast to listen to.
A few guests pitch in on Weird Nightmare: Canadian alt-pop genius Chad VanGaalen adds his unmistakable touch to the ever-escalating “Oh No,” while Alicia Bognanno of Bully lends her distinctive pipes to the thrashing “Wrecked,” a collaboration that effectively saved the song. “I almost didn’t put it on the album because I thought it was missing something,” Edkins explains. “I sent it to Alicia and she lifted it way up.”
And taking risks and reaching out of Edkins’ comfort zone was the name of the game when it came to making Weird Nightmare. “I found myself doing new things I didn’t have the guts to do before, recording everything by myself and trusting all of my musical instincts,” he states. “I think when music manifests quickly, a certain amount of honesty automatically comes along with it. When it is a purely instinctual creation, there is no opportunity to obscure the truth.”
Alex Edkins (METZ) solo project.
an exuberant blast of fun-as-hell, melodic indie rock that mixes equal parts Replacements, Teenage Fanclub, and Edkins’ own METZ-ian snarl
supported by 62 fans who also own “Weird Nightmare”
A fantastic album. I can see why they didn't continue under the name The Evens, as it's a different sound with the bass added. Coriky is the Evens + Joe Lally from Fugazi on bass. If you can imagine The Evens with a slightly more funky, aggressive sound like Fugazi... that's what you get! And there's no way that can ever go wrong. What a great debut album!! smiledozer
The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play. Bandcamp New & Notable Apr 27, 2024
An earthy yet somewhat chilly record about life, death, and reconnection, the latest from LOMA experiments with a turn towards the gloomy. Bandcamp New & Notable Apr 16, 2024
The Atlanta trio find an appealing balance between their trademark razor sharp wiry riffage and freewheeling groove. Bandcamp New & Notable Jan 9, 2024
supported by 59 fans who also own “Weird Nightmare”
Dirtbag Transformation: "What is this?" was my first reaction. But what an amazing song. It reminds me a bit of the Pixies in how it pulls together dissonance and then resolves. malfunction54